The Showroom

Phoebe Boswell's immersive group performance "'The Lighthouse"

SATURDAY 26 October, 4.30PM – 5.30PM
180 The Strand (Entrance 2 Surrey Street, WC2R 2ND)

Artist Phoebe Boswell presents The Lighthouse, a live performance soundscape of invited women collectively reading from gathered texts, alongside a screening of Ythlaf (2018)


Image: Ythlaf film still (2019). Photo Phoebe Boswell

Including a growing amorphous group of Boswell's peers: Alexandria Smith, Amahra Spence, Bolanle Tajudeen, Buitumelo Mushekwa, Bumi Thomas, Cindy Sissokho, Claudette Johnson, Jade Jackman, Jade Monserrat, Katherine Finerty, Leanne Ingram, Liv Wynter, Pamela Jikiemi, Marion Osieyo, Natalie Nzeyimana, Rasheeda Nalumoso, Ritika Biswas, Rianna Jade Parker, Ruth Sutoyé, Zaahida Nabagereka, Zoé Whitley, and more.


Phoebe Boswell (born 1982) explores the sense of ‘belonging’ and is anchored to a restless state of diasporic consciousness, combining traditional drawing with digital technology. Her practice draws on her own experiences of belonging, having been born in Kenya and brought up in the Arabian Gulf; she now lives and works in London. She creates powerful images, animations and immersive installations in works that layer drawing, animation, sound, video, interactivity, and most recently, performance. These works are created in an effort to find new languages robust yet open and multifaceted enough to house, centre and amplify voices and histories which, like her own, are often systemically marginalised or sidelined as 'other'.

Her work has been exhibited widely, including Tiwani Contemporary; Sundance Film Festivals, Göteborg International Biennial for Contemporary Art 2015, and Biennale de l’Image en Mouvement 2016, amongst others. She received the Future Generation Art Prize's Special Prize in 2017, consequently exhibiting in the Collateral Events programme at the 57th Venice Biennale. Boswell will unveil a new large-scale public moving image work in Geneva in December 2019, and a solo exhibition at New Art Exchange, Nottingham in 2020.

This programme takes place within Theaster Gates's installation Black Image Corporation presented by Prada, The Vinyl Factory, and The Showroom. Collective Intimacy is inspired by Gates’s ethos of collaboration and The Showroom’s commitment to togetherness and communal knowledge, taking on multiple trans-located narratives of the current Black experience as a point of departure for a cosmopolitan worldview. In response to Gates’s reactivated spaces in Chicago and how his socially engaged projects enable communities to connect and grow, Collective Intimacy aims to create a new space for people to gather, listen, converse, and contemplate amongst a fusion of art, design, music, and everyday life.

Black Image Corporation presents distinct spaces creating a myriad of possibilities for collective engagements, featuring an installation of Gates’s art objects, furnishings, and new films that capture the methodologies of urban renewal and community activation founding his practice. Pieces from Chicago imbued with powerful histories, uses, and localities resonate with distinctive lounge design from here in London – like a love letter between two cities, under the roof of a new House. Taking place at both 180 The Strand and The Showroom, Collective Intimacy hosts interdisciplinary interventions by artists, musicians, designers, writers, thinkers, collectives and members of the public, who are all invited to distort notions of selfhood and togetherness in the spirit of creating a global community.