The Showroom

"In Movement II" with Dancer Zinzi Minott & Filmmaker DJ Rabz Lansiquot

4 October 6.30pm, 180 The Strand

Artist Zinzi Minott presents In Movement II, a dance and film based performance and installation conversation alongside a sound set by filmmaker & DJ Rabz Lansiquot and her new video work Where did we land (2019)


Zinzi Minott’s work focuses on the relationship between dance, bodies and politics. Strongly identifying as a dancer, she seeks to complicate the boundaries of dance and the place of black female bodies within the form. Her work explores how dance is perceived through the prisms of race, queer culture, gender and class. Zinzi is interested in the space between dance and other art forms, and though her practice is driven through dance, the outcomes range from performance and live art to sound, film, dances and object-based work.

Rabz Lansiquot is a filmmaker, curator, and DJ. She was a leading member of sorryyoufeeluncomfortable (SYFU), a London-based collective that created intentional spaces for deep study, conversation and multi-disciplinary art-making that relates to race and liberatory politics. With SYFU she has produced public programming in a number of institutional and independent contexts in the UK and Europe including curated screenings, collective readings, performances, workshops and discussions, and co-curated exhibitions. Her audio-visual work and film theory writing is informed by Black liberatory thought, Black queer studies, and lived experience, seeking to move beyond representation, to liberation in the realm of the moving image. Rabz also works collaboratively alongside Imani Robinson under the name Languid Hands producing artworks and curatorial projects.

Image: Zinzi Minott. ©Anne Tetzlaff

This programme was presented as part of Theaster Gates's "Black Image Corporation" presented by Prada and Collective Intimacy - a live programme created in collaboration with The Vinyl Factory and The Showroom.

Inspired by Theaster Gates’s ethos of collaboration and togetherness, Collective Intimacy takes on multiple trans-located narratives of the current Black experience as a point of departure for a cosmopolitan worldview. This unique live programme hosts interdisciplinary interventions by artists, musicians, cultural producers, collectives and members of the public, distorting ideas of togetherness and selfhood in the spirit of creating a community.