Mark Fisher and Justin Barton:
On Vanishing Land
6 February–6 April 2013
Preview: Tuesday 5 February, 6.30–9pm
Opening Hours: Wed–Sat, 12–6pm.
12.45–1.35pm: Image sequence
2.20–3.10pm: Image sequence
3.55–4.45pm: Image sequence
Performance by John Foxx
of pieces from Electricity And Ghosts
with films by John Foxx and Karborn, and bespoke live responses to On Vanishing Land
(guitar + electronics set): Thursday 7 March, 7pm. Tickets: £12/8 NOW SOLD OUT
. Doors open at 6.30pm.
A list of ticket holders will be kept at the door on the night. We ask that you please bring your Paypal receipt and proof of concessionary status (if applicable) with you.
Discussion with Mark Fisher
, Justin Barton
, The Otolith Collective
, John Foxx
and Elizabeth Walling
(Gazelle Twin): Saturday 16 March, 3–5.30pm, please arrive by 2.45pm so the event can begin promptly. Free, no booking required.
Discussion with Mark Fisher
and Andy Sharp
(English Heretic): Sunday 17 March, 6–8pm, Boathouse Cafe
, Bawdsey, Suffolk (see opposite for travel directions). Free, no booking required.
The Otolith Collective and The Showroom present On Vanishing Land, a new work by British sound artists and theorists Mark Fisher and Justin Barton.
On Vanishing Land
(2013, 45m) is a magisterial audio-essay that evokes a walk undertaken by the artists along the Suffolk coastline in 2005, from Felixstowe container port to the Anglo-Saxon burial ground at Sutton Hoo.
Fisher and Barton have conjured a new form of sonic fiction from the dreamings, gleamings and prefigurations that pervade the Suffolk coast. The work includes commissions from digital musicians, interviews and the reflections of the artists. Inspired by the cumulative force of the Eerie that animates this landscape, On Vanishing Land
pursues affinities between the modernist reinvention of the ghost story in M.R. James’ Oh, Whistle, And I’ll Come To You, My Lad
(1904) and the atmospheric engineering of Brian Eno’s album On Land
(1982). “Themes of incursion – by unnameable forces, geological sentience or temporal anomaly – recur throughout.” (Kodwo Eshun, The Otolith Collective, Curator, On Vanishing Land
On Vanishing Land
integrates new compositions by digital musicians Baron Mordant, Dolly Dolly, Ekoplekz, Farmers of Vega, Gazelle Twin, John Foxx, Pete Wiseman, Raime and Skjolbrot. For the installation at The Showroom it will be accompanied by an untitled sequence of a wide range of visual references, produced in collaboration with artist Andy Sharp (English Heretic).
Events accompanying the exhibition include a performance on 7 March by John Foxx and Raime of compositions relating to the Eerie. On 16 March, Mark Fisher and Justin Barton join The Otolith Collective, John Foxx and Elizabeth Walling (Gazelle Twin) to explore modes of ambient television, dreaming landscape, electronic musicality and psychic premonition that emerge from encounters with the Eerie. Finally, on 17 March, in the Boathouse café on the banks of the River Deben, Mark Fisher and Andy Sharp (English Heretic) will discuss the relationship between the East Anglian landscape and the contemporary reimagining of the Eerie. The Boathouse is located in the grounds of Bawdsey Manor, the site where radar was invented, just opposite the locations in Old Felixstowe that inspired key scenes in M. R. James's story Oh, Whistle and I'll Come to You
. The conversation will be illustrated by readings, a screening of Fisher and Sharp’s short film Bleak and Solemn
(2013) and excerpts from On Vanishing Land
Travel directions to Boathouse Café (The Quay, Bawdsey, Woodbridge, Suffolk, IP12 3AZ):
By car: From Woodbridge (just off the A12) follow the B1083 to the end of this B road. Please do not rely on sat nav.
By train: Travel to Ipswich station. Change at Ipswich station onto the Melton train. Exit at Melton station. From here, take a cab to Boathouse café, which should take 20 minutes.
Any additional travel queries please contact Di at the Boathouse café on 07900 811826.
On Vanishing Land
was jointly commissioned and produced by The Showroom and The Otolith Collective. Supported using public funding by the National Lottery through Arts Council England. We gratefully acknowledge funding from PRS for Music Foundation
and The Showroom Supporters. Event support from Markson Pianos and Bawdsey Radar.
(b.1968) has worked with sound since the mid 1990s as a founding member of the Cybernetic Culture Research Unit at Warwick University. He is the author of the influential Capitalist Realism
(Zer0, 2009) and the forthcoming Ghosts of my Life: Writings on Depression, Hauntology and Lost Futures
(Zer0, 2013). Since 2004, he has written the celebrated blog k-punk
and is a regular contributor to publications including The Wire
and Film Quarterly
. He lectures in Aural and Visual Cultures at Goldsmiths and is a Commissioning Editor for Zer0 books.
(b.1962) is a writer, philosopher and sound artist who recently completed his first novel The Corridor
(b.1968) runs English Heretic, an organisation dedicated to the commemoration of tragic figures and the exploration of occult landscapes. Since 2003, English Heretic has released numerous records including Plan for the Kidnap of Princess Anne
(2011) and two volumes of Wyrd Tales: A New English Heretic Library Reader
in 2007 and 2011.
(b.1970) is an artist, musician and apiarist who lives and works in Berkshire. His debut album Antimacassar
is out this year on Exotic Pylon Records.
Farmers of Vega
(b.1975) is the production name of musician Aled Rees whose music explores the intersection between drone, rhythm and the Eerie. Rees previously contributed music to londonunderlondon
(b.1947) Vocalist, songwriter, musician and writer John Foxx founded and designed Ultravox!, one of the most influential groups of the post-punk era. His first solo album, Metamatic
(1980), is a landmark in British electronic music. His collaborations with musician Harold Budd on the albums Translucence
and Drift Music
(2003) were integral to the affective tone of londonunderlondon
. Since 2011, Foxx has collaborated with musician Benge Edwards as John Foxx and The Maths. Evidence
, their most recent album, was released in 2012.
(b.1981) is the production name of artist, musician and composer Elizabeth Walling. Her first album, The Entire City
(Anti-Ghost Moon Ray), was released in 2011. Gazelle Twin’s most recent release is the EP Mammal
(Sugarcane Recordings (2013)).
(b.1966) is founder of Mordant Music which functions as an artist name and as a record label. Mordant Music’s records include Dead Air
(2009) and MisinforMation
(2010), his acclaimed DVD of new soundtracks recorded for Central Office of Information films of the 1970s and 1980s released by the British Film Institute.
(b.1969). The producer Nick Edwards, otherwise known as Ekoplekz, combines radiophonics, industrial noise and disintegrated dub with a commitment to primitive hardware and lo-fi cassette recording. Edwards has released records on the labels Punch Drunk, Mordant Music and Public Information. His most recent album was released under his own name on Editions Mego in 2012.
are Joe Andrews (b.1981) and Tom Halstead (b.1980), one of the influential duos in contemporary electronic music. Their highly acclaimed debut album, Quarter Turns Over A Living Line
, was released on the label Blackest Ever Black in 2012.
(b.1981) Skjolbrot’s recordings meld documentary material with analogue and digital synthesis. His first release Maersk
(2010) was informed by dub, the landscapes of industrial infrastructure and Walter Benjamin's Arcades Project
. His new record is forthcoming in 2013.
(b.1975) is an improvising musician and visual artist. His album swim
will be released in February on [RHP] CDRs.
The Otolith Collective
represents the public platform of exhibitions, events, workshops and seminars that coexists in mutual relation to The Otolith Group. Founded in 2002 by Anjalika Sagar and Kodwo Eshun, The Group integrates film and video making with curating, programming, and writing. With a name derived from the anatomical structure located in the inner ear that is sensitive to gravity and motion, enabling the sense of balance, The Otolith Group’s artistic collaboration operates as a platform for an open dialogue on contemporary art practice and production. The Otolith Group was nominated for the Turner Prize in 2010. In addition to co-curating The Ghosts of Songs: A Retrospective of the Black Audio Film Collective 1982–1998
(FACT, Liverpool and Arnolfini, Bristol, 2007) and Harun Farocki: 21 Films
(Tate Modern, London, 2009), The Group has been featured in solo presentations in Brussels (Argos Centre for Art and Media, 2007), London (The Showroom and Gasworks, 2009), Barcelona (MACBA, 2011), Paris (Bétonsalon, 2011), Rome (MAXXI, 2011–12), and Mumbai (Project 88, 2012). The Otolith Group has participated in numerous group exhibitions including New British Art
(Tate Triennial, London, 2006), Ecotopia
(2nd ICP Triennial, New York, 2006), Translocalmotion
(7th Shanghai Biennial, 2008), Manifesta 8 (Murcia, Spain, 2010–11), There is always a cup of sea to sail in
(29th Biennial de Sao Paulo, 2010), In the Days of the Comet
(British Art Show 7, Hayward Gallery, London, 2010), and dOCUMENTA 13 (2012). Kodwo Eshun lectures in Aural and Visual Cultures at Goldsmiths. He is the author of Rock My Religion
(The MIT Press/Afterall, 2012). The Otolith Group is based in London. The Otolith Group