Cloud Cuckoo Land
(2008, 17m) explores the difficulties of living collectively through a confrontation with contemporary American commune. In Two Russians in the Free World
(2012, 30 minutes), a conversation between a maverick Russian billionaire and an impoverished performance artist develops into a meta-dialogue on narration and collaboration.
The single channel videos of Moskowitz and Trager are extracted from elaborate installations designed for exhibition. Since 2008, their work has explored the extimate dimension of the voice in its discrepant relation to projected images, reading bodies, anti-illusionist scenery and deprofessionalised performance. Ventriloquised characters, occupied by intimate voices that slide from decelerated speech to timestretched song, perform abstracted yet quotidian gestures. Themes of mental slippage and psychic mastery are played out in dramas whose only distant co-ordinates are the vernacular television opera of Robert Ashley’s Perfect Lives
(1984) and the dubbed recitations of R. Kelly’s online serial Trapped in the Closet
Recent exhibitions include The Story of Elfranko Wessels
at Studio 10, Brooklyn (2013) and Cloud Cuckoo Land
at Meridian Gallery, San Francisco (2011). In 2013, their single channel videos were presented in the Artist in Focus Retrospective at Centre Pompidou.
Recent screenings include the International Festival of Rotterdam (2013), Rencontres Internationales Paris/ Berlin/ Madrid (2012) and International Short Film Competition, IndieLisboa for which The Story of Elfranko Wessels
was awarded the Short Film Grand Prize.
This special screening of Cloud Cuckoo Land
and Two Russians in the Free World
is the latest event in the Images Sometimes Tremble
screening series conceived and initiated by The Otolith Collective at The Showroom in 2009. In Chris Marker’s essay film A Grin Without A Cat
(1977-1993), a trembling camera records demonstrations in Prague in 1968. This document is intercut with words that form that combine to form the sentence: 'Why, sometimes, do images begin to tremble?’ This question, adressed by text to an event by way of image and sound, provides the inspiration for the Images Sometimes Tremble