Undoing Property? examines complex relationships of ownership that exist inside art, culture, political economy, immaterial production, and the public realm today. In its pages artists and writers address aspects of computing, curating, economy, ecology, gentrification, music, publishing, piracy, and much more.
Property shapes all social relations. Its invisible lines force separations and create power relations felt through the unequal distribution of what otherwise is collectively produced value. Over the last few years the precise question of what should be privately owned and publicly shared in society has animated intense political struggles and social movements around the world.
In this shadow the publication’s critical texts, interviews and artistic interventions offer models of practice and interrogate diverse sites, from the body, to the courtroom, to the server, to the museum. The book asks why propertisation itself has changed so fundamentally over the last few decades and what might be done to challenge this.
The book is a result of a four-year collaboration between London-based artist Marysia Lewandowska and New York-based curator Laurel Ptak.
Published by Sternberg Press
169 x 239 mm, 256 pages, 30 black and white illustrations, library-bound hardcover
Design by Konst & Teknik
Undoing Property is available for purchase at The Showroom, or can be ordered from Sternberg Press.
Undoing Property? is produced in the context of COHAB, a two-year collaboration between Casco – Office for Art, Design and Theory, Utrecht, Tensta Konsthall, Stockholm, and The Showroom. COHAB is supported by a Cooperation Measures grant from the European Commission Culture Programme (2007–2013).
Marysia Lewandowska is a Polish-born, London-based artist who, through her collaborative projects, has explored the public function of media archives, collections and exhibitions in an age characterised by relentless privatisation.More
Undoing Property? is a project by Marysia Lewandowska and Laurel Ptak which examines complex relationships of ownership that exist inside art, culture, political economy, immaterial production, and the public realm today.More