Introducing Composer Elaine Mitchener

For IN·FLO·RES·CENCE Elaine Mitchener was commissioned by Reece Ewing to create a composition for solo piano around 1 minute in length responding to the changes to daily life during the global coronavirus outbreak. As part of the platform hosted by The Showroom, this individual piece and 9 others will all be interpreted and performed by the project’s first Artist-in-Residence, Pianist Elio Villafranca, throughout the duration of the project.

Elaine Mitchener wrote blutit as a piece for solo percussive piano at 81 beats per minute (BPM) “with increasing insistence”, accompanied by the following performance notes:

unless indicated dynamics are free
change of sound needn’t occur on repetition
before playing observe bird activity
play inside/outside under and over the instrument
your movement is part of the work
you have agency but remember blutit

© elaine mitchener

In the below intimate conversation with Kevin Le Gendre (Broadcaster and Writer of Don't Stop the Carnival: Black British Music, 2019), Elaine Mitchener discusses her experience of performing Sweet Tooth in Bergen, Norway right before lockdown; anecdotes of navigating London during the pandemic; her perspective of IN·FLO·RES·CENCE as an intimate yet global platform providing cultural space for both commissioning music and responding to the conditions of our time; interest in the piano as a free percussive instrument with an agency of structured storytelling; embracing silence and reconnecting with her surroundings; and a newfound sensitivity to sound, connection to rest, and friendship with nature – in particular, how spending time in her garden has taught her the capacity for time to dissolve.

Born and raised in East London of Jamaican heritage Elaine Mitchener is a contemporary vocalist, movement artist and composer, whose work encompasses improvisation, contemporary/experimental music theatre and dance. She has performed and collaborated with numerous leading artists including Camae Ayewa (Moor Mother), Mark Padmore, George E. Lewis, The Otolith Group, Sonia Boyce, Tansy Davies, Hamid Drake, Van Huynh Company, Apartment House, David Toop, London Sinfonietta, Christian Marclay, Ensemble Manufaktur für aktuelle Musik, William Parker. She is founder of collective electroacoustic trio The Rolling Calf with saxophonist Jason Yarde and bassist Neil Charles. Her sound works are held in a curated collection by George E Lewis at Darmstadt Festival.

SWEET TOOTH is a cross-disciplinary music theatre piece devised by vocal and movement artist Elaine Mitchener using text, improvisation and movement, to stage a dramatic engagement with the brutal realities of slavery, as revealed by the historical records of the British sugar industry, and to illuminate its contemporary echoes.

The 50-minute piece is divided into six chapters:

1. Universal slide - invocation
2. Bound
3. Scold’s Bridle
4. Names
5. Scramble
6. The mill - invocation

--

SWEET TOOTH has been supported with public funding from Arts Council England. Commissioned by Bluecoat in partnership with the Stuart Hall Foundation, London and The International Slavery Museum with further support from PRSF Open Fund, Edge Hill University, Centre 151, John Hansard Gallery and St George’s Bloomsbury.